I am spending today in my jammies, watching the Cornetto Trilogy. No reason. Just because.
Wow, I am so still not caught up on anything life-related yet. I’m working on it. Sloooooowly, but still…
I feel like I did do a lot of reading this week. Some of it was for two awesome classes:
Get A Grasp (for comic creators)
(Both of which are FREE classes you can still join, so do it!)
Class reading probably included the best thing I read all week: Taste versus Ability
But there was more…
- Learn important writing lessons from Joss Whedon
- Looking for diversity behind the scenes at HBO? Ummm…
- Kristen Bell has the right idea about storytelling
- What Anne Sweeney really wants to do is direct. Cool.
- Though we still don’t know what happened between Stanley Kubrick and his daughter, she’s now sharing photos. This is one story I would really love to read, were it released in book form.
- Speaking of books, an excerpt from a memoir by Tracey Jackson seemed to be making the rounds this week. The only oddity? It was released in 2011…
And some other notes…
My heart goes out to the citizens of Austin, TX and the folks who lost their lives at SXSW this year. But there were some lovely bits of news out of the fest, and the one about the swag bags benefiting the homeless was by far my favourite.
As always, there will be more next week. In the meantime, have a Happy St. Patrick’s Day. If you still need something green to wear, you can always get a little Loki on your lips…
Apologies for the lateness of this weekend’s reader, but I had to take time out to lose my mind a bit about a certain magazine that has a very short memory… Ahem. Anyway:
- USC Annenberg: The State of Women in Hollywood via The Black Board (more on this next week)
- There’s a Bechdel Test website that lists films in a pass/fail format
- A lengthy post from Lucy at Bang 2 Write on 6 Reasons Sweden’s Bechdel Cinema Rating Idea Is A (Well Meaning) Mistake
- Jane Campion To Head Cannes Film Festival Jury via The Wrap
- An Entertainment Weekly Q&A with the director of Raze (more on this next week)
- Are loglines important? Apparently so. (via Indiewire)
- An interesting Sundance Infographic via Cultural Weekly
- The best thing I read this week: Cinderella versus Thor (Joss Whedon! Make this movie!)
Happy reading (and writing) this weekend!
There are a glut (a word I do not use lightly) of “best-of” lists that appear this time of year. Originally, I wasn’t going to add to the pile at all, but I wanted to recap the work of screenwriters I’ve enjoyed in 2013. I’ve been blessed to be on the receiving end of so much great wisdom this year, so I figure this is the least I can do.
(A disclaimer- I am not a movie critic, so my viewing isn’t as thorough as someone who watches movies for a living. I see a lot of movies because I write movies. I sometimes gravitate more to movies/genres/stars/writers I like. And there are still a handful of unseen films on my must-see 2013 list, as listed below. So, better yet, don’t even consider this a year-end list. This is just a collection of films I liked in 2013 that had awesome writers and creators that I’ve learned a whole lot from. Enjoy.)
1-Edgar Wright and Simon Pegg – The World’s End
The only film I can ever imagine seeing in a theatre 13 times (which I really did do) because I am so much in love with the Pegg/Wright aesthetic. Shaun of the Dead turned me on to a whole genre and Hot Fuzz turned a genre I already loved on its head, but The World’s End was something… else. Something really beyond your average film-going experience. Something really smart, invaluably sweet and utterly enjoyable.
Screenplays for all three films are available on The Ultimate Three Flavors Cornetto® Trilogy Blu-ray™ and there are oh-so-many how-to writing and filmmaking bits floating around online that the guys have shared in their decade-long writing partnership. A huge inspiration to me.
2-Ed Solomon – Now You See Me
My all-time favourite screenwriter since forever turned out to be the coolest, sweetest and most generous writer, possibly ever. Did I mention the smartest? Also, probably that. And did I mention I love his work. Swoon. Just swoon.
I was really enchanted by Now You See Me (remind me to post more about how great Mark Ruffalo always is) and I can’t wait to see whatever he works on next.
3-Katie Dippold – The Heat
I watched The Heat in theatres, on planes, in airports, in bed. I loved everything about it – including the performances and director – but I especially loved the funny and fearless script. It also prompted the realization that Katie Dippold was one of the few female screenwriters I could actually name… And that was part of the reason why this blog was created in the first place.
4-The Great Teachers of TX (Austin, to be exact)
I have been promising myself every year, literally, for nearly 20 years that I would make the trek to Austin, Texas to spend a week of sun and fun there during SXSW. Finally, this year, I made it… almost. I made it to Austin just in time for the 20th Austin Film Festival. I do not regret that choice. Those folks aren’t kidding around.
They say it’s a writer’s festival and they mean it. I spent a lot of time and money on screenwriting events over the past 12 months and, though Austin was kinda pricey, a lovely bunch of people made it worthwhile, including:
Craig Mazin – Identity Thief
Craig Mazin is really, really good at his job. Aside from the weekly Scriptnotes podcast with John August, he wrote both this year’s Identity Thief and The Hangover Part III. But it was Craig’s A-Game at the AFF that floored me. Especially his panel Structurally Sound. I couldn’t explain it to you if I tried but, man, it felt like a whole screenwriting education crammed into an oh-so-brief session (in a very tiny room, even).
Listen to Scriptnotes
Shane Black (with Drew Pearce) – Iron Man 3
This year, after a long and flirtatious courtship, I really fell hard for Shane Black. At AFF, listening to him talk in such loving, dulcet tones about noir, hard action, insane thrillers and Iron Man… You had me at noir, Shane. You had me at noir.
Listen to the brilliant On Story Podcast with Shane Black
Vince Gilligan – Breaking Bad
This was the year of Vince Gilligan was capped off with the heartbreakingly brilliant end of Breaking Bad. I very nearly expected the AFF crowd would organize a parade to hoist and carry him through the streets. And deservedly so. In the lead up to the AFF, I did some binge-watching of classic Gilligan-penned X-Files eps like Memento Mori and Drive. I have so much respect for someone working at that insane level of talent.
Listen to the lovely On Story Podcast with Vince Gilligan
(Side note: is it weird that I can’t find any of the video from the Austin Film Festival? They seemed to film everything, and there was so much good stuff… If anyone knows where I can point to, let me know!)
5-For Heroes, Thrillers and those Lost in Space
Joss Whedon (with a little help from William Shakespeare) – Much Ado About Nothing
Find someone Joss Whedon hasn’t inspired and I’ll give you a nickle. I have a lot of nickles and I’ve never had to give one away. (I forgot about Much Ado initially, only because I first saw it at TIFF in 2012. It was magic, though, no matter how or when or where you saw it. Enough with the Marvel nonsense Joss! Make more Shakespeare!)
Nicolas Winding Refn – Only God Forgives
Another early entry that may not be for everyone, but film I liked from a generous filmmaker nonetheless.
Scott Z. Burns – Side Effects
There aren’t enough straight-up adult thrillers. I don’t think Hollywood ever had an era where they cranked out an excess of these. There’s no time like the present…
Richard Linklater, Julie Delpy, Ethan Hawke – Before Midnight
I love these movies. Richard Linklater has written a bunch of other brilliant movies. Julie Delpy has written a bunch of other great movies. Before Midnight is a masterclass in everything.
Alfonso and Jonas Cuaron – Gravity
One thing I’ve learned in 2013 is that the more movies you watch, the more cynical you can get about the strained, cookie-cutter fare that seems to rerun endlessly. If you ever wake up feeling like that, watch Gravity. Or anything Cuaron, really.
7-The New Kid
Ryan Coogler – Fruitvale Station
I’ve already declared my Best Picture for 2013 because the only movie that made my heart stop in 2013 was Fruitvale Station. So, if you haven’t seen it, do. And if you’re the type who votes, take it under consideration.
Read the unlikely story of Ryan Coogler
Still playing 2013 catch-up (some are available for reading right now, thanks to Go Into The Story for the links):
Enough Said by Nicole Holofcener
Dallas Buyer’s Club by Craig Borten and Melisa Wallack
Saving Mr Banks by Kelly Marcel
Philomena by Steve Coogan and Jeff Pope
Nebraska by Robert W. Nelson
August: Osage County by Tracy Letts
Inside Llewyn Davis by Joel and Ethan Coen
And, yes, this is still my favourite clip from 2013. No contest. Happy new year indeed.
Joss Whedon is the opposite of a misogynist. Which sounds crazy mostly because so many of his peers flex that muscle when they need to… Which, let’s be honest, seems like it happens more often than one might think necessary. Yeah, I’m dancing around this aspect of this topic a bit. I’m not calling anyone out, specifically, but ask yourself- When was the last time you witnessed a genuine 3D female character in a big Hollywood movie? I mean one that wasn’t rendered by VFX- one that had a brain and a heart and maybe even an important job to do that mattered a lot to the world of the story…?
Go ahead. I’ll wait. I’ll find something to read…
…Anything? Odds are better than Vegas that Joss Whedon had something to do with whatever you’re thinking of. Which is great, but sad in that his dedication to equality on screen is so singular that he can actually be identified by this trait. Sure, lots of other folks do this too, but the mighty Joss does it so consistently. He doesn’t do Damseling (more on that later) and it’s so refreshing that it’s not just his work ethic, but his own life philosophy.
Which all serves to show us Joss Whedon speaking at Make Equality Reality introducing the idea of “genderist” (because things should just be called what they are) and generally saying sane, sensible things. Refreshing.
For some bonus Joss, a great set of interviews with Joe Utichi that includes this quote:
“I dislike agendas; I like obsessions because obsessions are part of what make us individual and exciting. Agendas – not so much.”