I keep an eye out for freelance writing gigs of many kinds, mostly because freelancing for ages makes it a hard habit to break. But, hey, you never know what you’re missing if you don’t look around, right…?
Recently, I saw a very legit posting on a very legit website for a seemingly legit freelance gig. I went through and started work on the application process, part of which was going to the site in question and looking at some existing entries. That’s generally a good idea, even if it’s not required, I’d say.
In this case, it might have saved me time even just filling out the application.
You see, two of the reference articles on the very first page were 1- types of women that are easy to hate and, well, there’s no nice way to say it…
2- The first article on the first page was a list of girls who look hot with jizz on their faces.
Not joking. Needless to say, I’m not naming the publication, which was supposedly an all-ages/demographics kind of site.
Now, my original plan was to do the application and say “By the way, since you’re aiming for a wide audience, you may not want to alienate 50% of the population with misogynist content like that. And that’s not the type of content I’m interested in writing. Ever. But here are some cool factoids about Tom Hiddleston…”
So I thought about it and started the application. And then I walked away. I went back. And walked away again. Repeat x3. I think I’ve pretty much decided, aside from this commentary, to just leave it alone.
But still I wonder- Is it crazier to engage or to walk away from something like that? I know you have to engage when it’s in your face. But, when it’s online and could just die off with a lack of attention, is silence the better treatment?
In the meantime, I guess I’m going to have to post all my cool Tom Hiddleston factoids on here, instead. Thankfully, it’s Shakespeare Sunday, so I have a further excuse. Enjoy.
(Bless that man for taking the ick out of the interwebs…)
There are a glut (a word I do not use lightly) of “best-of” lists that appear this time of year. Originally, I wasn’t going to add to the pile at all, but I wanted to recap the work of screenwriters I’ve enjoyed in 2013. I’ve been blessed to be on the receiving end of so much great wisdom this year, so I figure this is the least I can do.
(A disclaimer- I am not a movie critic, so my viewing isn’t as thorough as someone who watches movies for a living. I see a lot of movies because I write movies. I sometimes gravitate more to movies/genres/stars/writers I like. And there are still a handful of unseen films on my must-see 2013 list, as listed below. So, better yet, don’t even consider this a year-end list. This is just a collection of films I liked in 2013 that had awesome writers and creators that I’ve learned a whole lot from. Enjoy.)
1-Edgar Wright and Simon Pegg – The World’s End
The only film I can ever imagine seeing in a theatre 13 times (which I really did do) because I am so much in love with the Pegg/Wright aesthetic. Shaun of the Dead turned me on to a whole genre and Hot Fuzz turned a genre I already loved on its head, but The World’s End was something… else. Something really beyond your average film-going experience. Something really smart, invaluably sweet and utterly enjoyable.
Screenplays for all three films are available on The Ultimate Three Flavors Cornetto® Trilogy Blu-ray™ and there are oh-so-many how-to writing and filmmaking bits floating around online that the guys have shared in their decade-long writing partnership. A huge inspiration to me.
2-Ed Solomon – Now You See Me
My all-time favourite screenwriter since forever turned out to be the coolest, sweetest and most generous writer, possibly ever. Did I mention the smartest? Also, probably that. And did I mention I love his work. Swoon. Just swoon.
I was really enchanted by Now You See Me (remind me to post more about how great Mark Ruffalo always is) and I can’t wait to see whatever he works on next.
3-Katie Dippold – The Heat
I watched The Heat in theatres, on planes, in airports, in bed. I loved everything about it – including the performances and director – but I especially loved the funny and fearless script. It also prompted the realization that Katie Dippold was one of the few female screenwriters I could actually name… And that was part of the reason why this blog was created in the first place.
4-The Great Teachers of TX (Austin, to be exact)
I have been promising myself every year, literally, for nearly 20 years that I would make the trek to Austin, Texas to spend a week of sun and fun there during SXSW. Finally, this year, I made it… almost. I made it to Austin just in time for the 20th Austin Film Festival. I do not regret that choice. Those folks aren’t kidding around.
They say it’s a writer’s festival and they mean it. I spent a lot of time and money on screenwriting events over the past 12 months and, though Austin was kinda pricey, a lovely bunch of people made it worthwhile, including:
Craig Mazin – Identity Thief
Craig Mazin is really, really good at his job. Aside from the weekly Scriptnotes podcast with John August, he wrote both this year’s Identity Thief and The Hangover Part III. But it was Craig’s A-Game at the AFF that floored me. Especially his panel Structurally Sound. I couldn’t explain it to you if I tried but, man, it felt like a whole screenwriting education crammed into an oh-so-brief session (in a very tiny room, even).
This year, after a long and flirtatious courtship, I really fell hard for Shane Black. At AFF, listening to him talk in such loving, dulcet tones about noir, hard action, insane thrillers and Iron Man… You had me at noir, Shane. You had me at noir.
This was the year of Vince Gilligan was capped off with the heartbreakingly brilliant end of Breaking Bad. I very nearly expected the AFF crowd would organize a parade to hoist and carry him through the streets. And deservedly so. In the lead up to the AFF, I did some binge-watching of classic Gilligan-penned X-Files eps like Memento Mori and Drive. I have so much respect for someone working at that insane level of talent.
(Side note: is it weird that I can’t find any of the video from the Austin Film Festival? They seemed to film everything, and there was so much good stuff… If anyone knows where I can point to, let me know!)
5-For Heroes, Thrillers and those Lost in Space
Joss Whedon (with a little help from William Shakespeare) – Much Ado About Nothing
Find someone Joss Whedon hasn’t inspired and I’ll give you a nickle. I have a lot of nickles and I’ve never had to give one away. (I forgot about Much Ado initially, only because I first saw it at TIFF in 2012. It was magic, though, no matter how or when or where you saw it. Enough with the Marvel nonsense Joss! Make more Shakespeare!)
Nicolas Winding Refn – Only God Forgives
Another early entry that may not be for everyone, but film I liked from a generous filmmaker nonetheless.
Scott Z. Burns – Side Effects
There aren’t enough straight-up adult thrillers. I don’t think Hollywood ever had an era where they cranked out an excess of these. There’s no time like the present…
One thing I’ve learned in 2013 is that the more movies you watch, the more cynical you can get about the strained, cookie-cutter fare that seems to rerun endlessly. If you ever wake up feeling like that, watch Gravity. Or anything Cuaron, really.
I’ve already declared my Best Picture for 2013 because the only movie that made my heart stop in 2013 was Fruitvale Station. So, if you haven’t seen it, do. And if you’re the type who votes, take it under consideration.
How many comedians have a Shakespeare-related joke in their set? Hopefully lots, but I have only ever heard of one.
His name is Eddie Izzard. (The joke involves what would happen if Henry V had an untrustworthy voice. Lets just say it doesn’t end well…)
I couldn’t find the bit online just yet (but the show with it in – Force Majeure – will be out on DVD shortly) so I’m linking instead to a very groovy interview between Eddie and Canada’s boyfriend George Stroumboulopoulos. More on Shakespeare and on Eddie (separately) later… But for now, just enjoy.